Browsing by Author "Tewari, Ayush"

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    Advances in Neural Rendering
    (The Eurographics Association and John Wiley & Sons Ltd., 2022) Tewari, Ayush; Thies, Justus; Mildenhall, Ben; Srinivasan, Pratul; Tretschk, Edith; Wang, Yifan; Lassner, Christoph; Sitzmann, Vincent; Martin-Brualla, Ricardo; Lombardi, Stephen; Simon, Tomas; Theobalt, Christian; Nießner, Matthias; Barron, Jon T.; Wetzstein, Gordon; Zollhöfer, Michael; Golyanik, Vladislav; Meneveaux, Daniel; Patanè, Giuseppe
    Synthesizing photo-realistic images and videos is at the heart of computer graphics and has been the focus of decades of research. Traditionally, synthetic images of a scene are generated using rendering algorithms such as rasterization or ray tracing, which take specifically defined representations of geometry and material properties as input. Collectively, these inputs define the actual scene and what is rendered, and are referred to as the scene representation (where a scene consists of one or more objects). Example scene representations are triangle meshes with accompanied textures (e.g., created by an artist), point clouds (e.g., from a depth sensor), volumetric grids (e.g., from a CT scan), or implicit surface functions (e.g., truncated signed distance fields). The reconstruction of such a scene representation from observations using differentiable rendering losses is known as inverse graphics or inverse rendering. Neural rendering is closely related, and combines ideas from classical computer graphics and machine learning to create algorithms for synthesizing images from real-world observations. Neural rendering is a leap forward towards the goal of synthesizing photo-realistic image and video content. In recent years, we have seen immense progress in this field through hundreds of publications that show different ways to inject learnable components into the rendering pipeline. This state-of-the-art report on advances in neural rendering focuses on methods that combine classical rendering principles with learned 3D scene representations, often now referred to as neural scene representations. A key advantage of these methods is that they are 3D-consistent by design, enabling applications such as novel viewpoint synthesis of a captured scene. In addition to methods that handle static scenes, we cover neural scene representations for modeling nonrigidly deforming objects and scene editing and composition. While most of these approaches are scene-specific, we also discuss techniques that generalize across object classes and can be used for generative tasks. In addition to reviewing these state-ofthe- art methods, we provide an overview of fundamental concepts and definitions used in the current literature. We conclude with a discussion on open challenges and social implications.
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    ModalNeRF: Neural Modal Analysis and Synthesis for Free-Viewpoint Navigation in Dynamically Vibrating Scenes
    (The Eurographics Association and John Wiley & Sons Ltd., 2023) Petitjean, Automne; Poirier-Ginter, Yohan; Tewari, Ayush; Cordonnier, Guillaume; Drettakis, George; Ritschel, Tobias; Weidlich, Andrea
    Recent advances in Neural Radiance Fields enable the capture of scenes with motion. However, editing the motion is hard; no existing method allows editing beyond the space of motion existing in the original video, nor editing based on physics. We present the first approach that allows physically-based editing of motion in a scene captured with a single hand-held video camera, containing vibrating or periodic motion. We first introduce a Lagrangian representation, representing motion as the displacement of particles, which is learned while training a radiance field. We use these particles to create a continuous representation of motion over the sequence, which is then used to perform a modal analysis of the motion thanks to a Fourier transform on the particle displacement over time. The resulting extracted modes allow motion synthesis, and easy editing of the motion, while inheriting the ability for free-viewpoint synthesis in the captured 3D scene from the radiance field.We demonstrate our new method on synthetic and real captured scenes.